1,973 Royalty-Free Audio Tracks for "Sinbad (1918 Musical)"

Modes of limited transposition scale 7 first mode

C triad open position.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Scale of harmonics on C for the Vietnamese Đàn bầu.

Ninth vs added-ninth chord.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

*Silver ratio (δS) on C. Just: 1+√2:1 = 1525.86 cents. MIDI pitch bend: 35,72

Minor major seventh chord on C.

Diminished seventh chord as incomplete ninth in C.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Aeolian mode on C. No pitch bend.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor eleventh chord in Herbie Hancock's "Maiden Voyage".

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

Aeolian mode on A. No pitch bend.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

Ninth augmented fifth chord on C.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Suspended 2nd Chord on C.

C-F-B Synthetic chord

Major second on D.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Suspended 4th Chord on C.

Suspended fourth chord on C in first inversion.

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.

Minor triad on C

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Created using Sibelius.

Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q

B diminishedΕλληνικά: Η συγχορδία ΣΙ ελαττωμένη